This artistry in words has moved me.
Something is missing in the pit of my stomach. I feel the charcoal staircase rupturing, then filling in the cracks of the blank moon. Devastation. Delusion. I see my blue arms extended to the poles of molestation, a sudden resolution of black and white vintage movies. My kitchen sink evaporates somewhere. Devastation.
The monotony of this body screams till my black walls fall, a sunken truth in this concoction of empty bowls and folded curtain stretches. Elasticity. The hands are empty, crooked, decayed.
Oh yes, there is an eclipse appearing on my black braids, swinging swiftly like my lips did once to lick that butter kiss. Appearances and traits are cellophane clinging to my white forehead. The lights appear bound, seized. Stagnate.
I pray and pray to wither the molten frames and fragments. Catharsis. Purification.
The cheek tint once filled the blue sky, the blue water, with sheets of pure…
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Lee Dunn has been writing since the age of 18, but found that work got in the way for the ensuing 48 years. In his home town of Toronto, Ontario, Canada, he reveled in his independence at an early age, and spent as much time as he could exploring the city’s Arts scene. He was introduced to poetry and prose by the works of two literary giants, namely J.R.R. Tolkien and J.W. Lennon and thence fell in love with the written word. His work includes poetry, short fiction, and personal essays, and ranges in theme from the surreal to the horrific, nostalgic, and themes on the human condition. He has been published on Spillwords.com, The Dark Poets Club, Journal of Undiscovered Poets, Crepe & Penn Literary magazine, and the Shelburne Free Press.