A scene of old develops and sharpens.
It’s the start of some chapter
in a boy’s learning.
This memory is of being ten.
It has cold misty rains at a train station.
The buying of a ticket
with nickels and quarters and wide eyes.
He is going to see El Cid in Montreal
by himself, with given permission
and maybe implied good riddance
and certainly a flight to something
contrived, but noble.
It’s a way to forestall fear for the future.
To puzzle out why close people fight
and bury the fallout.
By accident, to feel the budding of self-assurance
and, finally, to admire a hero
who all would love and despair.
Yes, he wanted to be
Lee Dunn has been writing since the age of 18, but found that work got in the way for the ensuing 48 years. In his home town of Toronto, Ontario, Canada, he reveled in his independence at an early age, and spent as much time as he could exploring the city’s Arts scene. He was introduced to poetry and prose by the works of two literary giants, namely J.R.R. Tolkien and J.W. Lennon and thence fell in love with the written word. His work includes poetry, short fiction, and personal essays, and ranges in theme from the surreal to the horrific, nostalgic, and themes on the human condition. He has been published on Spillwords.com, The Dark Poets Club, Journal of Undiscovered Poets, Crepe & Penn Literary magazine, and the Shelburne Free Press.